Music reviews Were you at a gig, or concert?
We’ve included here reviews published in the Daily Echo. Read the reviews and give us your rating or feel free to leave your comments at the bottom of each story. If we’ve missed a gig, then click here to write your own music review – attach a picture if you have one.
FAREWELL HUMPH
LAST INTERVIEW - Duncan Eaton talks to the father figure of jazz, Humphrey ‘Humph’ Lyttelton on a career that spanned seven decades.
READ IT HERE
The Courteeners’ 2:38pm Fri 18 Apr 08 IF you haven't been lucky enough to snap up tickets for The Courteeners' Southampton University show later this month, never fear.
Isle of Wight International Jazz Festival 3:04pm Fri 11 Apr 08 VENTNOR welcomes major names from the jazz world for the annual Isle of Wight International Jazz Festival this weekend.
Review - KT Tunstall, Guildhall, Southampton 10:20am Tue 8 Apr 08 IT was an understated entrance as KT Tunstall opened with Little Favours the first track from her latest album. User Rating: 9.5/10
KT Tunstall 4:19pm Fri 4 Apr 08 MULTI-award winning singer songwriter KT Tunstall brings her sold out UK tour to Southampton Guildhall on Monday. User Rating: 10/10
Foals 4:15pm Fri 4 Apr 08 STORMING into the UK album charts at number 3 with their debut album Antidotes, Foals have announced a new UK tour this autumn - including a stop at Southampton Guildhall.
Blake's pilgrimage 3:03pm Wed 2 Apr 08 MEMBERS of the classical boy band Blake have returned to the Hampshire school where two of their number learned to sing.
Dancing in the Streets - Review 7:28am Tue 1 Apr 08 The whole audience were swaying in their seats, later we were all dancing in the aisles but I hadn't realised it would really spill on to the streets. User Rating: 10/10
FROM the moment former Electric
Light Orchestra (ELO) musician
Kelly Groucutt took the stage, the
audience knew they were in for a
real treat of symphonic rock
fusion.
THE Southampton indie scene has perhaps been guilty of not moving with the times in recent years; with a few honourable exceptions (the admirable Ejector Seat nights, for one), it has been stuck in a Britpop-shaped rut and seemingly oblivious to the cutting edge electro and angular post-punk
aesthetics that have got the dancefloors heaving again.